Theme
spatula:

Source unknown.
Update 14/05 - Source found: Making Glass Cows (by Assembly)

spatula:

Source unknown.

Update 14/05 - Source found: Making Glass Cows (by Assembly)

(Quelle: wanderingcell, via workman)

sfmoma:

SUBMISSION:
Equus (Bill Domonkos, 2013)
http://www.bdom.com

sfmoma:

SUBMISSION:

Equus (Bill Domonkos, 2013)

http://www.bdom.com

ART BRUSSELS 2013 - Drop in, if you’re around!
Painting by Angelika J. Trojnarski Theater, Paper and oil on canvas, 180x200 cm, 2012
Installation view: Gallery Tanja Wagner, Berlinwith Mariechen Danz | Annabel Daou | Angelika Trojnarski

ART BRUSSELS 2013 - Drop in, if you’re around!

Painting by Angelika J. Trojnarski
Theater, Paper and oil on canvas, 180x200 cm, 2012

Installation view: Gallery Tanja Wagner, Berlin
with
Mariechen Danz | Annabel Daou | Angelika Trojnarski

Actio et ReactioPaper and oil on canvas160 x 140 cm, 2012by Angelika J. Trojnarski

Actio et Reactio
Paper and oil on canvas
160 x 140 cm, 2012
by Angelika J. Trojnarski

contemporary-art-blog:

Michel de Broin, Shelter, 2009Contemporary-Art-Blog
workman:

2headedsnake:
Miniature silk embroidery on antique hand-made lace cotton panel by MotherEagle. Using fine Pearsalls filoselle silk filament, this is a miniature rib cage in split stitch, on a 1950s hand made lace panel.

workman:

2headedsnake:

Miniature silk embroidery on antique hand-made lace cotton panel by MotherEagle. Using fine Pearsalls filoselle silk filament, this is a miniature rib cage in split stitch, on a 1950s hand made lace panel.

(Quelle: patakk, via workman)

museumuesum:

Doris Salcedo
Untitled (Armoire), 1992
Wood furniture, steel, and cement 45 x 73 1/2 x 20 in. (114.3 x 186.7 x 50.8 cm)
Untitled (Armoire) is part of a series in which Salcedo buried domestic furniture and other personal objects in cement, stripping these utilitarian pieces of their functions and turning them into humble monuments to their lost, silenced, or forgotten owners. The artist explained, “There was one widow … who told me how difficult it was to continue living with objects that are reminders of her husband… . Every day you sit at the dining table and the empty chair is there, screaming the absence of that person. It can become a very difficult object to live with. So I tried to make those objects silent, encasing them in cement.”

museumuesum:

Doris Salcedo

Untitled (Armoire), 1992

Wood furniture, steel, and cement 45 x 73 1/2 x 20 in. (114.3 x 186.7 x 50.8 cm)

Untitled (Armoire) is part of a series in which Salcedo buried domestic furniture and other personal objects in cement, stripping these utilitarian pieces of their functions and turning them into humble monuments to their lost, silenced, or forgotten owners. The artist explained, “There was one widow … who told me how difficult it was to continue living with objects that are reminders of her husband… . Every day you sit at the dining table and the empty chair is there, screaming the absence of that person. It can become a very difficult object to live with. So I tried to make those objects silent, encasing them in cement.”

likeafieldmouse:

Monika Grzymala (2011-12) - Sticky tape on wall

(Quelle: likeafieldmouse, via takuma-uematsu)

rust-neversleeps:

Shinji Turner-Yamamoto
Global Tree Project

rust-neversleeps:

Shinji Turner-Yamamoto

Global Tree Project

workman:

theincompletenesstheorem:
Willie Cole,Domestic ID III, 1991Iron scorches on paper in two painted window frames

workman:

theincompletenesstheorem:

Willie Cole,
Domestic ID III, 1991
Iron scorches on paper in two painted window frames

newyorker: Cartoon by Mike Twohy. 
For more from this week’s issue: http://nyr.kr/Y8JtFO

newyorker: Cartoon by Mike Twohy.

For more from this week’s issue: http://nyr.kr/Y8JtFO

(via berny)

Horror VacuiPaper and oil on canvas140 x 110 cm , 2012
This painting will be shown at the annual exhibition at the Academy of Fine Arts in Düsseldorf, Germany. It will be part of my graduation presentation in February 20-24. Happy to meet you there!
trojnarski.com

Horror Vacui
Paper and oil on canvas
140 x 110 cm , 2012

This painting will be shown at the annual exhibition at the Academy of Fine Arts in Düsseldorf, Germany. It will be part of my graduation presentation in February 20-24. Happy to meet you there!

trojnarski.com

(via Typewriter Drawings –) by Lenka Clayton and Michael Crowe

(via Typewriter Drawings –) by Lenka Clayton and Michael Crowe